montages & technicalities


eeg signal is seen via montage

From the individual discharges detected by electrodes, EEGs give rise to a rich set of data across the entire span of the scalp. This is done via connecting all the electrodes in what is termed a montage, and there are two broad categories: bipolar and referential. Here we'll review the placement of each individual electrode, how to connect them into various montages, and how to get started reading EEG from a technical standpoint.

the 10-20 System

Now that you have a grasp of the pertinent neurophysiology that gives rise to the EEG signal, let's finally dive into the EEG itself. The first step to any EEG study is the placement of the electrodes, and this is most commonly done via the international, standardized 10-20 System. This system is so named because it splits the skull into increments of 10% or 20% to place the electrodes, ensuring that each electrode is relatively positioned to all the others and making it possible for every EEG study to be consistent despite peoples' many different head shapes and sizes.

In the 10-20 system, each electrode is identified with a letter and a number. The letter corresponds to its region of the brain: F for frontal region, T for temporal, P for parietal, and O for occipital (the only exception to this is that F7 and F8, while seemingly frontal, are in fact actually over the anterior temporal region). The number corresponds to the side of the brain--odds on the left, evens on the right--and the particular area of each region. For the midline/central electrodes, instead of a number their letters are clarified with a "z."

The first step in the 10-20 system setup is finding the nasion (the top of the nose bride, between the eyes) and the inion (the small bump in the middle of the back of the head). From there, you divide the head into consecutive increments of 10% and 20% to find the placement of the electrodes, as shown in the illustration below (which is not, of note, anatomically correct!).

Along with these standard electrodes, there are a few other ones you should know. First, subtemporal electrodes, named T1 and T2, help to provide more information about the anterolateral temporal region. Second, you may see A1 and A2 electrodes (also called M1 and M2); these are placed on the auricle of the ear for referential montages, which will be discussed below.

There is a newer system, the 10-10 system, that has far more electrodes because it uses distance intervals of only 10%, but it is not very widely used and thus will not be discussed here. Technically, the T1 and T2 electrodes mentioned above are part of the 10-10 system, but are commonly tacked onto the 10-20 montages at many epilepsy centers now. All tracings on this site are collected via the 10-20 system.


In an EEG report, you read that epileptiform discharges were seen in F7 and T1. If so, which region(s) of the brain are involved?

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Left anterior temporal region

Recall that despite being "F" electrodes, F7 and F8 actually overlie the left and right anterior regions, respectively. T1 and T2 are left and right subtemporal, T3 and T4 are over the left and right mid-temporal regions, and T5 and T6 are over the left and right posterior temporal regions. Thus, the discharges in question most likely come from the left temporal lobe. Note, however, that in documenting and interpreting scalp EEGs, it is better to say "region" than "lobe," because recall that to detect cerebral activity scalp EEG requires a relatively broad area--at least 6 square centimeters--of cortex to be involved. With such a broad area, you can't say for certain that the entirety of the discharges in question were from the temporal lobe itself and not, say, from an adjacent sulcus of the frontal or parietal lobes.

bipolar montages I: setup

In a bipolar montage, each electrode's voltage is linked and compared to an adjacent one to form a chain of electrodes. There are multiple types, but the most common bipolar montage is the double banana, in which each electrode is linked and compared to the one behind it; so Fp2 is compared to F8, F8 is compared to T4, and so on all the way back. There are two chains per side in the double banana (from which it derives its name): an outside temporal chain involving Fp2→F8→T4→T6→O2, and then an inside parasagittal chain involving Fp2→F4→C4→P4→O2. The "z" electrodes Fz→Cz→Pz form a small central chain.

In each chain, an electrode's voltage is compared to that of the electrode behind it, so each tracing line is a pair of electrodes in which the voltage of the second electrode is subtracted from the voltage of the first. Because of this, in bipolar if the first electrode in the tracing line is more positive/higher than the second, you get a positive, downward deflection; if the second electrode is more positive/higher, you get a negative, upward deflection. For example, if Fp2 has a voltage of -50 and F8 has a voltage of -20, the Fp2-F8 tracing would show -50 - (-20) = -30mV.

To better understand how bipolar montages lead to EEG tracings, lets take a look at the example below. There is a discharge of -50mV, but depending on its dipole and location, not every electrode will see a full -50mV. T4 is the closest and sees the majority of the voltage, and as you get farther away from the discharge the voltages seen by the electrodes diminish. Note this is similar but not identical to ripples in a pond, because the distribution of voltages is not as symmetric as ripples. To get the EEG tracings for this discharge all we have to do is link the electrodes in the double banana chain (the electrodes here are the temporal chain; for simplicity the parasagittal and central chains are not shown). Then we just subtract each electrode's voltage from the one in front of it to get the voltage for that tracing pair. Remember that in EEG, positive values cause downward waves and negative values cause upward waves.

This same technique is used to give rise to all the tracings in all the chains. Notice how in this example, T4 saw the greatest voltage of the nearby discharge, and the other electrode tracings seemed to "point toward" the T4 electrode on the tracing. That morphology is called a phase reversal, and is a key reason that bipolar montages are so popular.

With phase reversals, the middle electrode of the pair that makes the reversal is the electrode of maximal voltage (ex. T3-T5 and T5-O1 phase reversal means T5 has the greatest voltage of them all). Negative discharges cause the surrounding tracings to point toward the electrode of maximal voltage, while positive discharges cause surrounding tracings to point away from the electrode of max voltage (an easy way to remember this: positives can fit a plus sign, and negatives can only fit a negative sign). This isn't absolute, but negative phase reversals are generally seen with epileptiform activity, while positive ones are more commonly seen with various artifacts.

Note that negative and positive phase reversals are not the same as negative and positive discharges; while negative discharges go up and positive discharges go down, negative phase reversals move toward one another and positive phase reversals move away from each other. This differentiation is particularly important for the first and last electrodes in each chain, due to something called the end of chain phenomenon.

Recall that bipolar montages require two electrodes to be compared to one another. However, for the first electrode in each chain (Fp1 and FP2) there is not an electrode in front to compare it to, and for the last electrodes (O1 and O2) there isn't one behind them to compare to. This gives rise to the end of chain phenomenon, in which you only see half of any possible phase reversals at these electrodes. In the example below, a negative discharge anterior to Fp1 would usually cause a negative phase reversal at Fp1, but because it's at the end of the chain, there isn't an electrode in front of it to complete the phase reversal.

When you come up against the end of chain phenomenon, remember that the double banana isn't the only bipolar montage available to you. Next we'll discuss some other types of bipolar montages to help you get around this issue.

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Likely negative

This is a tricky question. Recall that generally speaking, upward waves on EEG are negative and downward waves on EEG are positive. So the marked downward wave is, itself, a positive wave.

However, with discharges on bipolar montages a phase reversal is formed, and the phase reversal takes into account both of the electrodes involved in each tracing. Furthermore, the occipital electrodes are hindered by the end of chain effect, so we only see half of occipital phase reversals.

Because in bipolar montages each tracing line subtracts the voltage of the second electrode from the first, for P3-O1 and T5-O1 to have a downward (positive) wave then P3 and T5 would need to be more positive than O1, making O1 relatively negative. If we saw the full phase reversal of this discharge, say on a circumferential montage, it would be a negative phase reversal pointing to O1.

bipolar montage II: types

The most commonly used bipolar montage, as discussed above, is the double banana, marked by the bilateral temporal chains over the bilateral parasagittal chains, and a central chain below that. In some modern variations, the subtemporal leads are also included as their own chain. Recall, however, that the double banana suffers from the end of chain phenomenon.

When you come up against the end of chain phenomenon, remember that the double banana isn't the only bipolar montage available to you. In particular, the end of chain issue can be worked around by using a bipolar circumferential montage, in which the electrodes are linked not in an anterior to posterior chain but in a circle around the head.

With circumferential montages, all the electrodes in the chain have a point of comparison; the chain itself, however, does not include much of the middle regions / parasagittal electrodes, and so circumferential should not be used to screen tracings but only to clarify particular discharges. This tracing clip is the same clip as the double banana clip above, but note how different they appear based on the arrangement of the electrodes' connections.

Aside from the double banana and circumferential montages, there are multiple other bipolar types. Many of the tracings on this site use the bipolar T1-T2 montage, which is quite similar to the double banana but places the parasagittal chains on top, and includes the subtemporal T1 and T2 electrodes. It, too, suffers from an end of chain issue.

You can also use a transverse montage, which makes chains not front to back but rather side to side, and can help to lateralize activity if the dominant hemisphere for a discharge is unclear on double banana.

Clearly, the bipolar montage type is a powerful and highly useful tool for reading EEGs, and is the most commonly used montage for screening because phase reversals stand out so clearly. However, bipolar montages can come with caveats and require a good understanding of the basic electrophysiology in order to fully understand what you're seeing. The good news is that thanks to digital EEG nowadays, you aren't limited to a single montage--modern EEG software allows you to change montages quickly and easily as you read.

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Bipolar T1 T2 Montage, with a negative polarity and phase reversal at F7

This tracing shows pairs of electrodes in chains going from anterior to posterior, with the parasagittal chains on top of the temporal chains; the subtemporal and central chains are also present. So, this is a bipolar T1-T2 montage (if the temporal chain was on top of the parasagittal, it would be a double banana).

Regarding the discharge, we clearly see a phase reversal between Fp1-F7 and F7-T3, meaning that F7, the middle electrode of this set of pairs, has the maximal voltage of this discharge. There is also a field farther out (field being the presence of a disruption of the background that mimics the maximal point of phase reversal, but "tapers" off as you get farther away from the point of maximal voltage). The phase reversal points inward, so we know it is a negative phase reversal.

We can reverse the calculations described above to figure out the polarity of the electrodes involved. If the Fp1-F7 tracing is made by subtracting F7 from Fp1, and the discharge on that tracing goes down, then we know that tracing is positive and thus Fp1 was more positive than F7. Meanwhile, in the next tracing we subtract T3 from F7, and that tracing has an upward wave, meaning its negative. So, we know that F7 was more negative than T3. So, F7 is electronegative.

referential montages

While bipolar montages are typically best for screening EEG studies, referential montages can be particularly useful to clarify the point of maximal electronegativity if it remains unclear on a bipolar view.
While bipolar montages compare each electrode to one other electrode, referential montages compare all of the electrodes to single reference point. This reference point can be any number of things, but most commonly you'll see it being the average of the voltage of all electrodes (termed an average montage), or the electrically silent auricle of the ear. The referential montages used across this site are generally all of the average type.

While bipolar montages have a fair deal of complexity regarding positivity, negativity and phase reversals, referential montages keep simpler: every wave that goes up is negative, and every wave that goes down is positive. There are no phase reversals, and as such, the highest amplitude waveform is the one with the greatest voltage, be it downward or upward. This can make it easier to find the point of maximal voltage in a tracing, but it also makes it harder to see epileptiform discharges when screening because you don't have a phase reversal to stand out from the background.

page speed

The formation of the tracing lines is only part of an EEG study. The next part is choosing your reading speed. This determines how many seconds of the study are displayed across your computer monitor at one time. The standard adult reading speed is 30mm/sec and the standard neonatal speed is 15mm/sec. Counterintuitively, the higher your reading speed the fewer seconds are displayed on your screen at a time, and the more "stretched out" the waves appear.

This relationship arises because EEG tracings used to be recorded by ink nibs fluctuating on a continuously scrolling ream of paper. No matter how fast the paper went by, the ink nibs would fluctuate at the same speed as they recorded the electrophysiologic signal. The paper speed was measured in mm/sec, and so the more millimeters the paper moved per second, the more drawn out each second of tracing was. So, a reading speed of 60mm/sec would move the paper 60mm in one second, while a speed of 15mm/sec would move the paper only 15mm in one second, but in both cases the same waveforms would be drawn and thus the higher reading speed would make the waves appear stretched out while the lower speed would make them appear more condensed.

‍In the example above, we're looking at the same five seconds of data, but notice how the waveforms appear sharper and condensed at the 15mm/sec, to the point that some may even be misinterpreted as epileptiform spikes, while at the 60mm/sec speed everything becomes so drawn out as to almost lose its morphology. The 30mm/sec speed, like a electrophysiologic Goldilocks, looks as it should.

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This is a referential average montage, and thus each electrode's voltage is compared to the average of the voltage across all electrodes. Recall that referential montages do not give phase reversals--what you see is what you get. So, this upward going spike and wave at F3 is a negative F3 maximal discharge. Note the smaller but similar looking waveforms in C3 and Fz; this is the discharge's field.


Filters help to reduce unwanted, extracerebral frequencies at the very high and very low spectrum (frequencies are discussed further in the Terminology & Waveforms section). There are three main filter types: low frequency (high pass), high frequency (low pass), and notch.

Low frequency filters (LFF) filter out frequencies below a certain threshold; they are also called high pass filters because they allow higher frequencies to pass through. The standard LFF is 1 Hz, as most activity below that level is artifact and can make the EEG very hard to read, as seen below. Choosing a LFF that is too low will allow a lot of unwanted low frequency sweat and other artifact through, while choosing one that is too high may hide important delta activity.

High frequency filters
(HFF) filter out frequencies above a certain threshold; they are also called low pass filters because they let lower frequencies pass through. The standard HFF is 70 Hz, and choosing a HFF that is too low will filter out possibly important beta activity, while choosing one that's too high may lead to excessive myogenic artifact that obscures underlying slower rhythms.

The notch filter selectively removes 60 Hz activity that arises from electrical interference such as wires and equipment (in Europe, that activity is 50 Hz). Below is an example of electrical artifact with the notch filter turned off.

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Lower the high frequency filter

This tracing shows a lot of myogenic activity, seen as very high frequency activity most dominant over the frontal regions. This is common, but can obscure underlying slower frequencies. If this is a problem, you can lower the high frequency filter from 70 Hz to somewhere between 15-30 Hz to see if you can remove some of the artifact. However, in doing this be conscious that you may also be removing some physiologic beta activity. In this tracing, in fact, there appears to be diffuse excess beta in addition to the myogenic artifact; excess beta is most commonly found in the setting of benzodiazepine use.


The height of the same waveform can change based on the chosen sensitivity of the tracing. Sensitivity is measured in microvolts per millimeter (μV/mm) and, somewhat counter-intuitively, the higher the number the lower the sensitivity; like page speed this is a vestige of the days of paper EEG. A sensitivity of 5 μV/mm means that it would take 5 microvolts to move the pen 1 millimeter; a sensitivity of 10 μV/mm means it takes 10 microvolts to move the pen that same 1 millimeter, and thus the lower number of 5 μV/mm is actually more sensitive to the electrical signal than the higher number. What this effectively means is that higher numbers for sensitivity lead to smaller appearing waveforms.

The standard reading sensitivity is 7 μV/mm, but for discharges of very high amplitude that are hard to make out, raising the sensitivity can often clarify things--just remember to go back to your previous setting afterwards so you don't miss lower amplitude activity. Note that in children higher sensitivities may be warranted; much like life in general, kids tend to have much higher amplitude activity than adults.

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Decrease the sensitivity

Recall that sensitivity is a measurement of how much voltage is required to cause a certain amount of deflection of a wave. Lower sensitivities require more voltage to make a wave of a certain height compared to higher sensitivities. So, in this example of very high amplitude generalized spike and waves, with some overlap into adjacent chains making it hard to clearly see the details of the waves, you can decrease the sensitivity (going from, say 7 μV/mm to 15 μV/mm) to make the waveforms appear smaller and more easily seen. The image below is the same set of waveforms but at a lower sensitivity of 15μV/mm. Note that this also makes all the surrounding waves smaller and harder to read.

The 10-20 System is a standardized, international method of electrode placement that keeps the electrodes consistently overlying their appropriate regions of the brain despite varying head shapes and sizes

Bipolar montages compare each electrode to an adjacent one in chains, giving rise to phase reversals

The double banana is the most commonly used bipolar montage, with the temporal above the parasaggital chains

Referential montages compare all electrodes to a single reference voltage, commonly the average of all electrodes

Page speed determines how many seconds of tracing are displayed at a time. The standard adult and pediatric speed is 30, and standard neonatal speed is 15

High frequency (low pass) filters remove frequencies above the set threshold, and low frequency (high pass) filters do so for frequencies below the set threshold

The notch filter removes electrical activity artifact at 60 Hz

Sensitivity is measured in microvolts per millimeter and reflects how much voltage is required to make a certain height waveform; higher sensitivities need more input voltage to draw a waveform than low sensitivities


The marked box is actually an eye closure, which is discussed thoroughly in the artifacts section. Thinking in terms of polarity, however, we know that this is a bipolar recording because we see each tracing is a comparison of two electrodes. If we are comparing Fp1 to F3 (to take an example from the first line on the tracing page) to get a downward (positive) deflection as we see here, Fp1 must be more positive than F3. The same logic applies when comparing Fp1 and F7, Fp2 and F8, Fp2 and F4.

Recall that in bipolar montages we should be including a phase reversal when considering polarity. Furthermore, in this example, Fp1 and Fp2 are the first electrodes in their chain, and thus susceptible to the end of chain effect causing us to only see half of their positive phase reversal (remember that positive phase reversals open out away from the max electrode, and negative ones point in toward the max electrode)

Referential to ipsilateral ear

Recall that referential montages compare the electrodes to a single reference point, while bipolar compares each electrode to an adjacent one. This tracing compares all the electrodes on each side of the head to the voltage of each side's respective earlobe (the A1 and A2 electrodes are on the ear, an electrically silent area). Thus this is a referential montage, albeit an uncommon one.

Fp1 and Fp2 are both positive

This tracing actually just shows another eye blink/closure! We can see that we are again looking at a bipolar montage, given that each electrode is compared to an adjacent one, but this time they are in a circumferential montage, linked in a chain that goes around the head. So, in the top tracing line we see Fp1 compared to F7 with a large downward positive deflection; this means that Fp1 must be more positive than F7 (remember: on bipolar tracing lines you subtract the voltage of the first listed electrode from that of the second to get the voltage for that line). On the tracing line F8-Fp2 we see a large upward negative deflection, meaning that F8 must be smaller / more negative that Fp2. Thus both Fp1 and Fp2 are positive.

They would appear identical to one another

This tracing shows a flat line on the Fp1-F3 tracing line, but all the other lines involving both Fp1 and F3 appear OK. When this happens, the most likely explanation is a salt bridge, in which Fp1 and F3 are too close together and are connected in some way--most commonly via the conducting gel used in placing them on the scalp--and are thus seeing the same exact voltage. You can confirm this by switching to a referential average montage, where Fp1 and F3 will have identical tracing lines, as seen below.

Fill in the marked electrodes below.

Odd numbers are on the left, even on the right

The electrode placement for the 10-20 montage will become familiar to you over time. Recall that the letter for electrodes corresponds to the lobe of the brain over which it lies (F for frontal, P for parietal, T for temporal, O for occipital, C for central). Regarding numbers, odd numbered electrodes are on the left side of the head, even numbers are on the right, and Z electrodes are in the midline chain.

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common montage types

technical points